22-year-old Vienna-resident Wandl became one of the most progressive and interesting european producers over the last years. His upcoming longplay-debut „It’s All Good Tho” foregrounds his take on vocals and song-oriented material. Experimental, bassy and based did his EPs „Milk” (yet as Zweipunktnull), „Soon” and his Affine-debut „Far Way Home” stretch out his very own vision of Brainfeeder-nerdism and state of the art bedroom-soul.

After recording „Geld Leben” with Crack Ignaz – an album that Juice Magazine, All Good and Intro called one of the best Deutschrap-records of the decade – Wandl went back to his zone. Being alone in his Wandl-crib or at the studio of his labelmate, mentor, hero and guest on the album, Dorian Concept, he wrote songs on guitar, rhodes,violin and synth and sang cranky-beautiful sketches into his phone, that turn into post-R’n’B-gems. During the production the St.-Pölten-born multi instrumentalist temporarily moved to Hamburg, to write the orchestration for the play „Der gestohlene Gott”. By day he worked on the theater staging, at night he recorded vocals and the grand piano in the massive, inspiring lobby. Throughout the three performances, in which he partly even improvised some of the sound design, Wandl learned a lot about intuition.

Some of that dramatic composition can be heard on his debut album „It’s All Good Tho” which is scheduled for June 2017.

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